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Showing posts with label crawdaddy. Show all posts
Showing posts with label crawdaddy. Show all posts

Sunday, October 25, 2009

No Age reschedule cancelled show


Due to a 'travel mishap', LA noiseniks No Age had to cancel last night's show in Crawdaddy at short notice. However, they've quickly made up for it, resheduling a date for tonight at Academy 2. The No Age 'all ages show' at The Exchange will also go ahead (doors 3pm), and Crawdaddy tickets will be accepted for either gig.

Monday, September 14, 2009

LIVE REVIEW: Sunset Rubdown - Crawdaddy, Dublin. September 12th


(This review was originally written for the website http://musosguide.com/)

‘‘Good evening, we’re Sunset Rubdown. There’s no other bands tonight, so we’re going to do a long set.’’ Not long enough, as it turns out – such is the quality of the Montreal five-piece’s set. Sometime ‘side-project’ of Wolf Parade’s Spencer Krug, there’s every indication that the group are on the verge of a breakthrough that would see them dwarf their parent band; in many critics’ eyes, they already have, with this year’s superb Dragonslayer a worthy follow-up to 2007’s acclaimed, ambitious Random Spirit Lover.

Sunset Rubdown share traits with many of their Canadian peers: complex, interwoven instrumentation; climactic flourishes and unpredictable tempo changes; emotive vocals and hyper-literate lyrical imagery. It’s a busy sound and not one that’s easy to get right live, but the sound is utterly flawless in the packed Crawdaddy : each daring twist and dazzling turn thrown into perfectly sharp relief. The frantic ‘Idiot Heart’ is an early highlight, driven by a tense glockenspiel riff and climaxing in a furious instrumental crescendo and desperate vocal refrain. Not that there’s any sign of a let-up anywhere in the set: with songs like the rousing, anthemic ‘The Taming of the Hands That Came Back To Life’, swelling ballad ‘Silver Moons’ or the grandstanding atmospherics of ‘You Go On Ahead’, it’s a tour de force of dramatic, high-concept art-rock.

The band are unassuming throughout, good-naturedly ribbing the crowd about the Lisbon treaty and encouraging people to take a cigarette break if they feel the band are overstaying their welcome. However, even going as far as the bar is too much of a liability when the action on stage is so compelling: ‘Black Swan’ mixes thrilling stop-start dynamics with sustained guitar-shredding, while the opening notes of ‘The Mending of the Gown’ provoke loud screams of glee, even if its breathless, mile-a-minute mid-section doesn’t come across quite so well live. You know it’s been a great gig when you’re reduced to such minor quibbling, however: given the way Arcade Fire conquered the mainstream with a very similar, high-stakes sound, it’s not too far-fetched to posit that the next time Sunset Rubdown come back to town, it’ll be in a far bigger venue.