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Showing posts with label CODES. Show all posts
Showing posts with label CODES. Show all posts

Monday, February 22, 2010

CODES bring Delays along for Irish tour


It's onwards and upwards for CODES, who recently played at the Next Big Thing Festival in London. They'll kick off a short Irish tour on Wednesday night, and support is being provided by Southampton synth/jangle-popsters Delays. Delays are regarded by many as one of the more underappreciated English guitar bands of recent times, although in time-honoured indie tradition I prefer their earlier stuff: debut album Faded Seaside Glamour featured some sublime, harmony-laden, La's-influenced pop songs such as 'Long Time Coming' and 'Nearer Than Heaven', while the synth-pop direction they took afterwards resulted in gradually diminishing returns. Regardless, they certainly have enough top-notch material for a killer support set, that's for sure.

After shows in Belfast, Cork, Galway and Dublin, CODES will then turn their attention to the Choice Music Prize: having been shortlisted for the prestigious award, they'll be performing on the night of the ceremony (March 3rd).

The band have also released 'In Algebra', the title track of sorts to last year's acclaimed debut album, as a single - it's available now from iTunes, 7Digital and Tower Records.

CODES tour dates:

24 Feb 2010 The Limelight Belfast, Northern Ireland
25 Feb 2010 The Roisín Dubh Galway
26 Feb 2010 Cyprus Ave Cork
27 Feb 2010 The Academy Dublin
3 Mar 2010 Choice Music Prize 2010 - Vicar Street Dublin


Thursday, January 14, 2010

Choice Music Prize nominees announced


Much like the Mercury Prize across the sea, the annual announcement of the shortlist for the Choice Music Prize can always be relied upon to instigate a full-on mud-slinging debate, and this year is no different - just get a load of Jim Carroll's blog-post and the accompanying comments, including a lengthy one from a certain David Kitt: http://www.irishtimes.com/blogs/ontherecord/2010/01/13/its-the-one-you-have-been-waiting-for-the-choice-music-prize-shortlist/ . The shortlist of albums is as follows:

And So I Watch You From Afar - “And So I Watch You From Afar” (Smalltown America)
Bell X1 - “Blue Lights On The Runway” (BellyUp)
CODES - “Trees Dream in Algebra” (EMI)
Adrian Crowley - “Season of the Sparks” (Chemikal Underground)
Dark Room Notes - “We Love You Dark Matter” (Gonzo)
The Duckworth Lewis Method - “The Duckworth Lewis Method” (1969/Divine Comedy Records)
Julie Feeney - “Pages” (Mittens)
Valerie Francis - “Slow Dynamo” (VF)
Laura Izibor - “Let The Truth Be Told” (Atlantic)
The Swell Season - “Strict Joy” (Plateau)

One thing i will say about these awards is that the stated objective - 'to select the album which best sums up the year in Irish music' - is still maddeningly vague and somewhat meaningless, considering the range of different albums released each year: how does any individual album 'sum up' the wider domestic scene? Sounds like complete gibberish to me. Anyway, artists that can feel aggrieved to be left out include Patrick Kelleher, Hunter-Gatherer and Holy Roman Army. As for the winner, this blog wouldn't mind seeing either And So I Watch You From Afar or CODES taking home the prize.

From On The Record: "The live event will take place in Vicar Street, Dublin on Wednesday March 3 and will feature performances from as many of the acts who can play on the night as possible (we’ll be announcing the full details in the next few weeks). Tickets, priced €27 euro including booking fees, go on sale on Monday next."

Thursday, September 24, 2009

Album Review: CODES - Trees Dream In Algebra (EMI)


(This article was originally written for the website Muso's Guide, http://musosguide.com/)

Trees Dream In Algebra is the debut album from Dublin-based four-piece CODES, but listening to it, you’d be forgiven for thinking otherwise. From the tight musicianship and accomplished songwriting to the polished production and right down to the painstaking artwork, it’s difficult to imagine a band arriving more fully-realised. Not that they’ve materialised out of the blue: there’s been a buzz building around this act on the Irish music scene for quite a while – it helps that their ambitious, grandiose but unmistakeably pop sound stands in stark contast to the variations on indie-rawk/garage trash that domestic bands tend to favour - but even their most vocal supporters will probably be surprised at the quality of this record.

It’s an album in the truest sense; sequenced for maximum effect, peaking and swelling dramatically, and featuring recurring themes of snow and winter. Hell, such is the courage of its convictions that they’ve even done a Foals on it and left out one of their most popular songs, the Irish-charting single ‘Edith’. Opening track ‘Malfunctions’ sets the scene expertly with pulse-quickening, hyperactive electronics before segueing into ‘This Is Goodbye’, a track that showcases much of what is great about the band: an infectious cental hook, vocals that swoop and soar in all the right places and a chorus that sounds more gloriously show-stopping every time you hear it. It makes for a superb calling card, but there’s barely time to breathe before an insistent drumbeat and swirling, reverbed guitars announce ‘Guided By Ghosts’, where delightful harmonies jostle for attention with an instrumental backdrop that never stays in one place for too long.

When they scale things back, they’re just as impressive. ‘Magnetic North’ could well be the best track of the bunch – three minutes of gorgeous, dreamy ambience that leads into a dazzling instrumental and choral crescendo that Sigur Ros would be proud to call their own. Harmony-driven songs like ‘Cities’ and ‘In Algebra’, meanwhile, recall Delays’ better moments in their tuneful sweep. Throughout, Trees Dream In Algebra exhibits a cinematic aesthetic and sensibility, the tunes achieving an impressive balance between sky-scraping emoting and delicate atmospherics.

It’s obvious how much care and attention to detail went into creating this album, and the songwriting is impressive throughout. If there is a criticism, it’s that – particularly around the mid-point of the album – the grandiosity gets a bit overwhelming, and the album could maybe stand to lose a track from its total running time. It’s a relatively minor quibble though: this is the finest release by an Irish band in quite some time, and, considering how accomplished they sound now, one can only wonder where they end up going from here.

CODES will be playing an album launch show in Dublin's Academy on Saturday night. They follow that up with an appearance at the Lucan Festival on Sunday night and a show in The Set Theatre, Kilkenny on October 2nd. Friday night's show in Sligo has unfortunately had to be cancelled due to illness.

26 Sep 2009 Album Launch Show @ The Academy Dublin
27 Sep 2009 Lucan Festival 2009 Dublin
2 Oct 2009 The Set Theatre - Langtons Kilkenny