
There’s been so much written about this album since its release in 2004, yet still it’s hard to know where to begin. The novelistic, post-apocalyptic imagery? The poignant themes of death and lost innocence running through the record? The dynamic, intense baroque-pop arrangements? The way that the record’s awareness of mortality and grief makes for cathartic, euphoric music? You could probably write a book about all the factors that contribute to
Funeral’s status as a modern-day masterpiece, but suffice to say here that this is one of those albums where your favourite track changes every day, whether it’s the stirring ‘Wake Up’ (
“If the children don't grow up/Our bodies get bigger but our hearts get torn up”), the beautiful folk ballad ‘Neighbourhood #4 (7 Kettles)’,the fervent, swelling opening track ‘Neighbourhood #1 (Tunnels)', or ‘Haiti’, Regine Chassagne’s haunting lament for her homeland. Many artists past and present have tackled the big issue of death, but rarely have they made such uplifting music in doing so.